It’s not so
much a heaviness,
the oppressive
weight of wet wool;
instead, it’s
as though my molecules
are moving
outward from the center,
mimicking the
universal flight
from the Big
Bang—though I hear
how grandiose
that sounds.
It’s just that the
edges become indistinct
and you may
begin to see the busy streetlife
right through
me, in patches
of color and
noise and volition. And soon
I am mixing
with the pollen of elms,
the billion
billion motes of skin cells
catching fire
in the afternoon.
So when I tell
you it is almost painful
to see that
precariously pregnant young woman
climb the steps
to her brownstone, hear
the cans of
olives and jars of ragu
clatter and
shatter against the wrought iron
because some idiot failed to double-bag,
and that now
here I am stooping to help,
here I am
cursing bag boys the world round, insisting
that she
(Antonia) sit; when I tell you I can actually feel
my joints re-knitting,
cells lining up again
with their
proper organelles, feel gravity
pulling on
these coalescing and corporeal tissues—
you will
understand, perhaps, that I am not altogether
happy to be
back, but I am here.
(from New Ohio Review, 2009)
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